Argosy III - Brian Sherman
Stop No. 6Location: Lancaster, CaliforniaPhotographer: Brian ShermanDate: June 2006
Brian
states that he does not fancy his mug being on the Internet so he sent
us a photo of the Argosy C4 in action and tells us he is in the frame
in the shadows - can you spot him?
About the Photographer:My
interest in photography began several years ago during my
mountaineering exploits. Back then as a novice I just took pictures of
what I was doing with little regard to any aesthetic value to the end
result. I spent many nights under the stars and began playing with long
exposures. Concurrently I had become interested in non electronic
cameras because the cold climate of mountaineering was killing the
batteries of my point and shoots. I still can remember the day I
purchased this ugly 'brick' of a camera with a lens attached to it
called a C3.
Instantly I loved the basic simplicity and best of all no batteries!
One
day while sorting through slides of past trips I began to notice these
fabulous images that i gave little regard to before. These of course
were these experimental night images I had taken so I began to
specifically go out and photograph old places at night. I think that is
when I began to understand photography because it took time to
preconceive what I wanted to capture. Now I pretty much only photograph
at night with an assortment of vintage cameras. Mostly
Rolleicords, Voigtlanders, and of course my trusty Argus C3 'brick'.
I
am delighted to have to opportunity to participate in this event. I had
a few places I wanted to explore and photograph here in the Mojave
desert, so I ventured into the night with the C4 and Fuji Velvia 50
film. Some may notice the Voigtlander Kontur finder on the C4 I used.
This finder is unique in its use and is very helpful in composing in
very low light conditions compared to the finder window on most
rangefinder cameras.
The Photographs:
"VW Farm"First
stop was an abandoned homestead near Edwards Air Force Base that had
about 20 junk cars around about the property. I shot this site for 2
nights just before full moon and on the full moon. Half of the cars
were VWs and the rest were 1970's American made iron.
Shooting
automobiles and machinery at night is difficult because of all the dark
crevices and interiors that do not register on film so I use some flash
with coloured gels to fill in the dark areas.
Most of these
exposures lasted from 30 minutes to an hour and a half in length. In
this photo, 'VW Farm,' I used my daughter's battery camp lantern with a
red gel wrapped around it to fill the interior of the Beetle red to
contrast with the surrounding colours. This exposure is 45 minutes with
the red light on for 15 minutes with the aperture set at f/8.
I
went out a couple of nights and tried some very long exposures, 5-7
hour but none of these came out very good because of camera movement on
the tripod due to a stripped tripod socket on the camera. This problem
I later solved using an Argus tripod head instead of my more expensive
head.
"Mercury Shed"The
last night shooting was an abandoned ranch only 300 yards away
from the bulldozers that will soon raze this piece of history away to
make room for Cracker Jack Styrofoam tract houses.
I chose this photograph, 'Mercury Shed,' because of the beautiful greenish hue that mercury vapor lights give off.
This exposure was about 30 minutes at f/8.
All in all I enjoyed using the Argus C4. It is a wonderfully simple camera that give great results.
Thanks to all who put in the hard work of organizing this event.
All photographs this page © 2006 Brian Sherman